Notre Dame London: Fischer Hall Library
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Shakespeare up close : reading early modern texts / volume editor, Russ McDonald.

Contributor(s): McDonald, Russ, 1949-Series: The Arden Shakespeare libraryPublication details: London : Arden Shakespeare, 2012. Description: xxxv, 377 pages ; 20 cmISBN: 9781408158784 (pbk.) :; 1408158787 (pbk.) :Subject(s): Shakespeare, William, 1564-1616 -- Criticism, Textual | English literature -- Early modern, 1500-1700 -- Criticism, Textual | English literature -- Early modern, 1500-1700 -- History and criticism -- Theory, etcDDC classification: 820.9003 LOC classification: PR3091. | S5M2
Contents:
1. Editorial emendation and the opening of A Midsummer Night’s Dream – Lucas Erne. P3. / 2. The story of O: reading letters in the prologue to Henry V – Travis D. Willams. P9. / 3. The sense of a beginning – Donald M. Friedman. P17. / 4. Spenser up close: temporality in The Faerie Queene – Linda Gregerson. P27. / 5. ‘at heaven’s gate’ – Paul Edmonson and Stanley Wells. P38. / 6. On Shakespeare’s Sonnet 60 – Brian Gibbons. P46. / 7. Balthasar’s song in Much Ado About Nothing – Mark Womack. P57. / 8. The persistence of the flesh in Deaths Duell – Kimberly Johnson. P64. / 9. The syntax of understanding: Herbert’s ‘Prayer (1)’ – Daniel Shore. P70. / 10. The real presence of unstated puns: Herbert's 'Love (III)' - Michael Schoenfeldt. P76. / 11. 'Hardly they heard' - Jeff Dolven. P87. / 12. Having it both ways in Juliet's 'gallop apace' speech - Brett Gamboa. P95. / 13. 'To Celia': not too close - Erik Gray. P106. / 14. Marvell's 'Mourning' - Stanley Fish. P113. / 15. On the value of the Town-Bayes - David A. Brewer. P119. / 16. Pointless Milton: a close reading in negative - Nicholas D. Nace. P125. / 17. Marlowe's will, Marlowe's shall - Drew Daniel. P137. / 18. Reading intensity: Sonnet 12 - Susan J. Wolfson. P146. / 19. 'Against' interpretations: rereading Sonnet 49 - Heather Dubrow. P154. / 20. The chimney-sweepers conceit in the song for Fidele in Cymbeline - Margaret Maurer. P161. / 21. Mille viae mortis - A. R. Braunmuller. P169. / 22. Donne the time traveller: reading 'the relic' - Stephen Burt. P173. / 23. Fletcher's Mad Lover and the late Shakespeare - Jeremy Lopez. P182. / 24. 'And ten low words oft creep in one dull line': Sidney's perfection of a sonnet device - Norman Rabkin. P191. / 25. The fox and his pause: punctuating consciousness in Jonson's Volpone - Robert N. Watson. P199. / 26. Some similes in Paradise Lost, book 9 - Paul Aplers. P208. / 27. Telling stories - Russ McDonald. P216. / 28. Richard's soliloquy: Richard II, 5.5.1-49 - Harry Berger, Jr. P225. / 29. Virtual presence and vicarious identity in the first tetralogy - Joel B. Altman. P234. / 30. Unmuffling Isabella - George T. Wright. P245. / 31. Hamlet's 'serious hearing': 'sound' vs. 'use' of 'voice' - Garrett Stewart. P257. / 32. Hamlet's couplets - James Grantham Turner. P264. / 33. The dumb show in Hamlet - Tiffany Stern. P273. / 34. Claudius on his knees - Coppelia Kahn. P282. / 35. Gertrude's gallery - Lena Cowen Orlin. P291. / 36. The fool's promised exit - Margeta De Grazia. P303. / 37. How can act 5 forget Lear and Cordelia? - Charles Altieri. P309. / 38. Exits without exiting - Ralph Alan Cohen. P317. / 39. Playing Prospero against the grain - Michael Ellis-Tolaydo. P323.
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Holdings
Item type Current library Class number Status Date due Barcode Item reservations
Book-Circulating Book-Circulating Fischer Hall Library
Main shelves 		PR3091. S5M2 2013 (Browse shelf(Opens below)) Available B010232
Total reservations: 0

1. Editorial emendation and the opening of A Midsummer Night’s Dream – Lucas Erne. P3. / 2. The story of O: reading letters in the prologue to Henry V – Travis D. Willams. P9. / 3. The sense of a beginning – Donald M. Friedman. P17. / 4. Spenser up close: temporality in The Faerie Queene – Linda Gregerson. P27. / 5. ‘at heaven’s gate’ – Paul Edmonson and Stanley Wells. P38. / 6. On Shakespeare’s Sonnet 60 – Brian Gibbons. P46. / 7. Balthasar’s song in Much Ado About Nothing – Mark Womack. P57. / 8. The persistence of the flesh in Deaths Duell – Kimberly Johnson. P64. / 9. The syntax of understanding: Herbert’s ‘Prayer (1)’ – Daniel Shore. P70. / 10. The real presence of unstated puns: Herbert's 'Love (III)' - Michael Schoenfeldt. P76. / 11. 'Hardly they heard' - Jeff Dolven. P87. / 12. Having it both ways in Juliet's 'gallop apace' speech - Brett Gamboa. P95. / 13. 'To Celia': not too close - Erik Gray. P106. / 14. Marvell's 'Mourning' - Stanley Fish. P113. / 15. On the value of the Town-Bayes - David A. Brewer. P119. / 16. Pointless Milton: a close reading in negative - Nicholas D. Nace. P125. / 17. Marlowe's will, Marlowe's shall - Drew Daniel. P137. / 18. Reading intensity: Sonnet 12 - Susan J. Wolfson. P146. / 19. 'Against' interpretations: rereading Sonnet 49 - Heather Dubrow. P154. / 20. The chimney-sweepers conceit in the song for Fidele in Cymbeline - Margaret Maurer. P161. / 21. Mille viae mortis - A. R. Braunmuller. P169. / 22. Donne the time traveller: reading 'the relic' - Stephen Burt. P173. / 23. Fletcher's Mad Lover and the late Shakespeare - Jeremy Lopez. P182. / 24. 'And ten low words oft creep in one dull line': Sidney's perfection of a sonnet device - Norman Rabkin. P191. / 25. The fox and his pause: punctuating consciousness in Jonson's Volpone - Robert N. Watson. P199. / 26. Some similes in Paradise Lost, book 9 - Paul Aplers. P208. / 27. Telling stories - Russ McDonald. P216. / 28. Richard's soliloquy: Richard II, 5.5.1-49 - Harry Berger, Jr. P225. / 29. Virtual presence and vicarious identity in the first tetralogy - Joel B. Altman. P234. / 30. Unmuffling Isabella - George T. Wright. P245. / 31. Hamlet's 'serious hearing': 'sound' vs. 'use' of 'voice' - Garrett Stewart. P257. / 32. Hamlet's couplets - James Grantham Turner. P264. / 33. The dumb show in Hamlet - Tiffany Stern. P273. / 34. Claudius on his knees - Coppelia Kahn. P282. / 35. Gertrude's gallery - Lena Cowen Orlin. P291. / 36. The fool's promised exit - Margeta De Grazia. P303. / 37. How can act 5 forget Lear and Cordelia? - Charles Altieri. P309. / 38. Exits without exiting - Ralph Alan Cohen. P317. / 39. Playing Prospero against the grain - Michael Ellis-Tolaydo. P323.