Notre Dame London: Fischer Hall Library

Shakespeare up close : (Record no. 10206)

MARC details
000 -LEADER
fixed length control field 03728nam a22002898a 4500
001 - CONTROL NUMBER
control field 016077010
003 - CONTROL NUMBER IDENTIFIER
control field Uk
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20141107105531.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 120426s2012 enk 000 0 eng|d
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBB242603
Source bnb
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781408158784 (pbk.) :
Terms of availability £14.99
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1408158787 (pbk.) :
Terms of availability £14.99
040 ## - CATALOGING SOURCE
Original cataloging agency StDuBDS
Language of cataloging eng
Transcribing agency StDuBDS
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number PR3091.
Item number S5M2
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 820.9003
Edition number 23
245 00 - TITLE STATEMENT
Title Shakespeare up close :
Remainder of title reading early modern texts /
Statement of responsibility, etc volume editor, Russ McDonald.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc London :
Name of publisher, distributor, etc Arden Shakespeare,
Date of publication, distribution, etc 2012.
263 ## - PROJECTED PUBLICATION DATE
Projected publication date 201208
300 ## - PHYSICAL DESCRIPTION
Extent xxxv, 377 pages ;
Dimensions 20 cm.
490 0# - SERIES STATEMENT
Series statement The Arden Shakespeare library
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note 1. Editorial emendation and the opening of A Midsummer Night’s Dream – Lucas Erne. P3. / 2. The story of O: reading letters in the prologue to Henry V – Travis D. Willams. P9. / 3. The sense of a beginning – Donald M. Friedman. P17. / 4. Spenser up close: temporality in The Faerie Queene – Linda Gregerson. P27. / 5. ‘at heaven’s gate’ – Paul Edmonson and Stanley Wells. P38. / 6. On Shakespeare’s Sonnet 60 – Brian Gibbons. P46. / 7. Balthasar’s song in Much Ado About Nothing – Mark Womack. P57. / 8. The persistence of the flesh in Deaths Duell – Kimberly Johnson. P64. / 9. The syntax of understanding: Herbert’s ‘Prayer (1)’ – Daniel Shore. P70. / 10. The real presence of unstated puns: Herbert's 'Love (III)' - Michael Schoenfeldt. P76. / 11. 'Hardly they heard' - Jeff Dolven. P87. / 12. Having it both ways in Juliet's 'gallop apace' speech - Brett Gamboa. P95. / 13. 'To Celia': not too close - Erik Gray. P106. / 14. Marvell's 'Mourning' - Stanley Fish. P113. / 15. On the value of the Town-Bayes - David A. Brewer. P119. / 16. Pointless Milton: a close reading in negative - Nicholas D. Nace. P125. / 17. Marlowe's will, Marlowe's shall - Drew Daniel. P137. / 18. Reading intensity: Sonnet 12 - Susan J. Wolfson. P146. / 19. 'Against' interpretations: rereading Sonnet 49 - Heather Dubrow. P154. / 20. The chimney-sweepers conceit in the song for Fidele in Cymbeline - Margaret Maurer. P161. / 21. Mille viae mortis - A. R. Braunmuller. P169. / 22. Donne the time traveller: reading 'the relic' - Stephen Burt. P173. / 23. Fletcher's Mad Lover and the late Shakespeare - Jeremy Lopez. P182. / 24. 'And ten low words oft creep in one dull line': Sidney's perfection of a sonnet device - Norman Rabkin. P191. / 25. The fox and his pause: punctuating consciousness in Jonson's Volpone - Robert N. Watson. P199. / 26. Some similes in Paradise Lost, book 9 - Paul Aplers. P208. / 27. Telling stories - Russ McDonald. P216. / 28. Richard's soliloquy: Richard II, 5.5.1-49 - Harry Berger, Jr. P225. / 29. Virtual presence and vicarious identity in the first tetralogy - Joel B. Altman. P234. / 30. Unmuffling Isabella - George T. Wright. P245. / 31. Hamlet's 'serious hearing': 'sound' vs. 'use' of 'voice' - Garrett Stewart. P257. / 32. Hamlet's couplets - James Grantham Turner. P264. / 33. The dumb show in Hamlet - Tiffany Stern. P273. / 34. Claudius on his knees - Coppelia Kahn. P282. / 35. Gertrude's gallery - Lena Cowen Orlin. P291. / 36. The fool's promised exit - Margeta De Grazia. P303. / 37. How can act 5 forget Lear and Cordelia? - Charles Altieri. P309. / 38. Exits without exiting - Ralph Alan Cohen. P317. / 39. Playing Prospero against the grain - Michael Ellis-Tolaydo. P323.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Shakespeare, William,
Dates associated with a name 1564-1616
General subdivision Criticism, Textual.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element English literature
Chronological subdivision Early modern, 1500-1700
General subdivision Criticism, Textual.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element English literature
Chronological subdivision Early modern, 1500-1700
General subdivision History and criticism
-- Theory, etc.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name McDonald, Russ,
Dates associated with a name 1949-
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Book-Circulating
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Date last seen Date checked out Cost, replacement price Price effective from Koha item type
    Library of Congress Classification     Fischer Hall Library Fischer Hall Library Main shelves 2013-04-08 1 13.29 1 3 PR3091. S5M2 2013 B010232 2014-02-27 2013-04-08 13.29 2013-04-08 Book-Circulating