MARC details
000 -LEADER |
fixed length control field |
03728nam a22002898a 4500 |
001 - CONTROL NUMBER |
control field |
016077010 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
Uk |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20141107105531.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
120426s2012 enk 000 0 eng|d |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBB242603 |
Source |
bnb |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781408158784 (pbk.) : |
Terms of availability |
£14.99 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1408158787 (pbk.) : |
Terms of availability |
£14.99 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
StDuBDS |
Language of cataloging |
eng |
Transcribing agency |
StDuBDS |
050 ## - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PR3091. |
Item number |
S5M2 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
820.9003 |
Edition number |
23 |
245 00 - TITLE STATEMENT |
Title |
Shakespeare up close : |
Remainder of title |
reading early modern texts / |
Statement of responsibility, etc |
volume editor, Russ McDonald. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
London : |
Name of publisher, distributor, etc |
Arden Shakespeare, |
Date of publication, distribution, etc |
2012. |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
201208 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xxxv, 377 pages ; |
Dimensions |
20 cm. |
490 0# - SERIES STATEMENT |
Series statement |
The Arden Shakespeare library |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
1. Editorial emendation and the opening of A Midsummer Night’s Dream – Lucas Erne. P3. / 2. The story of O: reading letters in the prologue to Henry V – Travis D. Willams. P9. / 3. The sense of a beginning – Donald M. Friedman. P17. / 4. Spenser up close: temporality in The Faerie Queene – Linda Gregerson. P27. / 5. ‘at heaven’s gate’ – Paul Edmonson and Stanley Wells. P38. / 6. On Shakespeare’s Sonnet 60 – Brian Gibbons. P46. / 7. Balthasar’s song in Much Ado About Nothing – Mark Womack. P57. / 8. The persistence of the flesh in Deaths Duell – Kimberly Johnson. P64. / 9. The syntax of understanding: Herbert’s ‘Prayer (1)’ – Daniel Shore. P70. / 10. The real presence of unstated puns: Herbert's 'Love (III)' - Michael Schoenfeldt. P76. / 11. 'Hardly they heard' - Jeff Dolven. P87. / 12. Having it both ways in Juliet's 'gallop apace' speech - Brett Gamboa. P95. / 13. 'To Celia': not too close - Erik Gray. P106. / 14. Marvell's 'Mourning' - Stanley Fish. P113. / 15. On the value of the Town-Bayes - David A. Brewer. P119. / 16. Pointless Milton: a close reading in negative - Nicholas D. Nace. P125. / 17. Marlowe's will, Marlowe's shall - Drew Daniel. P137. / 18. Reading intensity: Sonnet 12 - Susan J. Wolfson. P146. / 19. 'Against' interpretations: rereading Sonnet 49 - Heather Dubrow. P154. / 20. The chimney-sweepers conceit in the song for Fidele in Cymbeline - Margaret Maurer. P161. / 21. Mille viae mortis - A. R. Braunmuller. P169. / 22. Donne the time traveller: reading 'the relic' - Stephen Burt. P173. / 23. Fletcher's Mad Lover and the late Shakespeare - Jeremy Lopez. P182. / 24. 'And ten low words oft creep in one dull line': Sidney's perfection of a sonnet device - Norman Rabkin. P191. / 25. The fox and his pause: punctuating consciousness in Jonson's Volpone - Robert N. Watson. P199. / 26. Some similes in Paradise Lost, book 9 - Paul Aplers. P208. / 27. Telling stories - Russ McDonald. P216. / 28. Richard's soliloquy: Richard II, 5.5.1-49 - Harry Berger, Jr. P225. / 29. Virtual presence and vicarious identity in the first tetralogy - Joel B. Altman. P234. / 30. Unmuffling Isabella - George T. Wright. P245. / 31. Hamlet's 'serious hearing': 'sound' vs. 'use' of 'voice' - Garrett Stewart. P257. / 32. Hamlet's couplets - James Grantham Turner. P264. / 33. The dumb show in Hamlet - Tiffany Stern. P273. / 34. Claudius on his knees - Coppelia Kahn. P282. / 35. Gertrude's gallery - Lena Cowen Orlin. P291. / 36. The fool's promised exit - Margeta De Grazia. P303. / 37. How can act 5 forget Lear and Cordelia? - Charles Altieri. P309. / 38. Exits without exiting - Ralph Alan Cohen. P317. / 39. Playing Prospero against the grain - Michael Ellis-Tolaydo. P323. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Shakespeare, William, |
Dates associated with a name |
1564-1616 |
General subdivision |
Criticism, Textual. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
English literature |
Chronological subdivision |
Early modern, 1500-1700 |
General subdivision |
Criticism, Textual. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
English literature |
Chronological subdivision |
Early modern, 1500-1700 |
General subdivision |
History and criticism |
-- |
Theory, etc. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
McDonald, Russ, |
Dates associated with a name |
1949- |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |
Koha item type |
Book-Circulating |