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All's well, that ends well : new critical essays / edited by Gary Waller.

Contributor(s): Waller, Gary F. (Gary Fredric), 1945-Series: Shakespeare criticismPublication details: New York : Routledge, 2006. Description: 258p. 24cmISBN: 9780415973250; 0415973252 (harback)Subject(s): Shakespeare, William, 1564-1616. All's well that ends wellDDC classification: 822.3/3 LOC classification: PR2801. | A87 2006Online resources: Table of contents only
Contents:
Gary Waller From 'the Unfortunate Comedy' to 'this Infinitely Fascinating Play': the Critical and Theatrical Emergence of All's Well, That Ends Well. 1 Steven Mentz Revising the Sources: Novella, Romance, and the Meanings of Fiction in All's Well, That Ends Well. 83 Regina Buccola 'As Sweet as Sharp': Helena and the Fairy Bride Tradition. 108 Paul Gleed Tying the (K)not: The Marriage of Tragedy and Comedy in All's Well,That Ends Well. 130 Deanne Williams All's Well, That Ends Well and the Art of Retrograde Motion. 150 Kent R. Lehnhof Performing Woman: Female Theatricality in All's Well, That Ends Well 169 Ellen Belton 'To make the 'not' eternal': Female Eloquence and Patriarchal Authority in All's Well, That Ends Well. 191 Helen Wilcox Shakespeare's Miracle Play? Religion in All's Well, That Ends Well 215 Michele Osherow She is in the Right: Biblical Maternity and All's Well, That Ends Well 234 David M. Bergeron "The credit of your father": Absent Fathers in All's Well, That Ends Well. 255 Nicholas Ray ''Twas mine, 'twas Helen's': Rings of Desire in All's Well, That Ends Well. 277 Catherine Field 'Sweet Practicer, thy Physic I will try': Helena and Her 'Good Receipt' in All's Well, That Ends Well. 295 Terry Reilly All's Well, That Ends Well and the 1604 Controversy Concerning the Court of Wards and Liveries. 317 Craig Dionne Playing it Accordingly: Parolles and Shakespeare's Knee-crooking Knaves. 336 Bob White All's Well as Television: the 1980 Moshinsky Production.
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Main shelves 		PR2801. A87 2006 (Browse shelf(Opens below)) Available B009941
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Includes bibliographical references and index.

Gary Waller From 'the Unfortunate Comedy' to 'this Infinitely Fascinating Play': the Critical and Theatrical Emergence of All's Well, That Ends Well. 1 Steven Mentz Revising the Sources: Novella, Romance, and the Meanings of Fiction in All's Well, That Ends Well. 83 Regina Buccola 'As Sweet as Sharp': Helena and the Fairy Bride Tradition. 108 Paul Gleed Tying the (K)not: The Marriage of Tragedy and Comedy in All's Well,That Ends Well. 130 Deanne Williams All's Well, That Ends Well and the Art of Retrograde Motion. 150 Kent R. Lehnhof Performing Woman: Female Theatricality in All's Well, That Ends Well 169 Ellen Belton 'To make the 'not' eternal': Female Eloquence and Patriarchal Authority in All's Well, That Ends Well. 191 Helen Wilcox Shakespeare's Miracle Play? Religion in All's Well, That Ends Well 215 Michele Osherow She is in the Right: Biblical Maternity and All's Well, That Ends Well 234 David M. Bergeron "The credit of your father": Absent Fathers in All's Well, That Ends Well. 255 Nicholas Ray ''Twas mine, 'twas Helen's': Rings of Desire in All's Well, That Ends Well. 277 Catherine Field 'Sweet Practicer, thy Physic I will try': Helena and Her 'Good Receipt' in All's Well, That Ends Well. 295 Terry Reilly All's Well, That Ends Well and the 1604 Controversy Concerning the Court of Wards and Liveries. 317 Craig Dionne Playing it Accordingly: Parolles and Shakespeare's Knee-crooking Knaves. 336 Bob White All's Well as Television: the 1980 Moshinsky Production.