The Routledge Handbook of Shakespeare and Global Appropriation

Part 1: Transcultural and Intercultural Shakespeares

"the great globe itself . . . shall dissolve": Art after the Apocalypse in Station Eleven
Sharon O’Dair

Others Within: Ethics in the Age of Global Shakespeare
Alexa Alice Joubin

"You say you want a revolution"?: Shakespeare in Mexican [Dis]Guise
Alfredo Michel Modenessi

"Don’t it Make My Brown Eyes Blue": Uneasy Assimilation and the Shakespeare-Latinx Divide
Ruben Espinosa

"To Appropriate these White Centuries": James Baldwin’s Race Conscious Shakespeare
Jason Demeter

Bishonen Hamlet: Stealth-Queering Shakespeare in Manga Shakespeare: Hamlet
Brandon Christopher

Edmund Hosts William: Appropriation, Polytemporality, and Postcoloniality in Frank McGuinness’s Mutabilitie
Barbara Sebek

Shakespeare Appropriation and Queer Latinx Empowerment in Josh Inocéncio’s Ofélio
Katherine Gillen

Calibán Rex? Cultural Syncretism in Teatro Buendía’s Otra Tempestad
Jennifer Flaherty

Fooling Around with Shakespeare: The Curious Case of "Indian" Twelfth Nights
Poonam Trivedi

Part 2: Decolonizing Shakespeares

"Flipping the Turtle on Its Back": Shakespeare, Decolonization, and the First Peoples in Canada
Daniel Fischlin

Nomadic Shylock: Nationhood and its Subversion in　The Merchant of Venice
Avraham Oz

"What country, friend, is this?" Carlos Díaz’s Cuban Illyria
Donna Woodford-Gormley

Inheriting the Past, Surviving the Future
Adele Seeff

The Politics of African Shakespeare
Jane Plastow

Da Kine Shakespeare: James Grant Benton’s Twelf Nite O Wateva!
Theresa M. DiPasquale

Part 3: World Pedagogical Shakespeares

Make New Nations: Shakespearean Communities in the Twenty-First Century
Sheila T. Cavanagh

Appropriating Shakespeare for Marginalized Students
Jessica Walker

Beyond Appropriation: Teaching Shakespeare with Accidental Echoes in Film
Matthew Kozusko

Teaching Global Shakespeare: Visual Culture Projects in Action
Laurie Osborne

Part 4: Regional, Local, and "Glocal" Shakespeares

Othello in a Prevailingly Homogenous Ethnic Society
Krystyna Kujawinska Courtney

Shakespeare in Ireland: 1916 to 2016
Nicholas Grene

Shakespeare’s Presence in the Land of Ancient Drama: Karolos Koun’s Attempts to Acculturate Shakespeare in Greece
Tina Krontiris

"To Be/Not to Be": Hamlet and the Threshold of Potentiality in Post-Communist Bulgaria
Kirilka Stavreva and Boika Sokolova

What’s in a Name? Shakespeare and Japanese Pop Culture
Ryuta Minami

Subjugating Arab Forms to European Meters
David Moberly

Shakespeare’s Anashid (translation)
David Moberly

Paul Robeson, Margaret Webster and their Transnational Othello
Robert Sawyer

Part 5: Transmedia Shakespeares

Ecologies of the Shakespearean Artists’ Book
Sujata Iyengar

Falstaff and the Constructions of Musical Nostalgia
Stephen Buhler

The Moor Makes a Cameo: Serial, Shakespeare and White Racial Frame
Vanessa Corredera

De-emphasizing Race in Young Adult Novel Adaptations of Othello
Keith Botelho

Resisting History and Atoning for Racial Privilege: Shakespeare’s Henriad in HBO’s The Wire
L. Monique Pittman

Indigenizing Shakespeare: Haider and the Politics of Appropriation
Amrita Sen

Ovidian Appropriations, Metamorphic Illusion, and Theatrical Practice on the Shakespearean Stage
Lisa S. Starks

Determined to Prove a Villain? Appropriating Richard III’s Disability in Recent Graphic Novels and Comics
Marina Gerzic

Some Tweeting Cleopatra: Crossing Borders On and Off the Shakespearean Stage
Louise Geddes

The Sandman as Shakespearean Appropriation
Miriam Jacobson

Shakespeare’s Scattered Leaves: Mutilated Books, Unbound Pages, and the Circulation of the First Folio
Christy Desmet