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Shakespeare on screen : Macbeth

Series: Shakespeare on ScreenPublication details: Rouen Presses Universitaires de Rouen et du Havre 2014 Description: 539pISBN: 9791024000381Subject(s): Shakespeare, William, 1564-1616 -- Film adaptations | Shakespeare, William 1564-1616 Macbeth -- Film adaptationsLOC classification: PR2823. | A2S6
Contents:
Victoria Bladen, Sarah Hatchuel, Nathalie Vienne-Guerrin – Préface. Dominique Goy-Blanquet – Phantom of the Cinema: Macbeth's Ghosts in the Flesh; Warren Chernaik – "Instruments of Darkness": Witches and the Supernatural in Four Versions of Macbeth; Pierre Kapitaniak – Witches and Ghosts in Modern Times Lost? How to Negotiate the Supernatural in Modern Adaptations of Macbeth; Susan Gushee O'Malley – Macbeth's Witches: Nurses, Waitresses, Feminists, Punk Gore Groupies; Victoria Bladen – Weird Space in Macbeth on Screen; Pascale Drouet – "Look how our partner's rapt": Externalizing Rapture in Orson Welles's Macbeth (1948-1950); Charles R. Forker – Symbolic and Thematic Impoverishment in Roman Polanski's Macbeth; Boika Sokolova – "Horrible imaginings": Rupert Goold’s Film Adaptation, a Macbeth for the Twenty-First Century; Adele Seeff – Shakespeare in Mzansi; Sarah Hatchuel, Nathalie Vienne-Guerrin – Claude Barma’s Macbeth (1959): Shakespeare and the hybridity of the French "dramatique"; Anne-Marie Costantini-Cornede – ". . . [M]ethought/ The wood began to move" (5.5.32-33) or Whatever Happened to Witches and Woods in Akira Kurosawa’s Throne of Blood (1957), Alexander Abela’s Makibefo (1999) and Mark Brozel’s Macbeth (2005): Film style or the Poetics of Displacement; William C. Carroll – Fleance in the Final Scene of Macbeth: The Return of the Repressed; Andrew Fleck – “A Barren Sceptre" (3.1.63): Generation, Generations, and Destiny in Maqbool and Global Adaptations of Macbeth; Gayle Allan – Home Sweet Home: Visual Representation of Domestic Spaces in Macbeth; Courtney Lehmann – Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Jennifer Drouin – “Get a Look at Your Wife’s Beautiful Cones”: Lady Macbeth’s Stone Butch Blues and Rural Second-Wave Feminism in Scotland, P.A. Elinor Parsons – “Struts and frets”: Physical Eloquence in Vladimir Vasiliev’s Macbeth; Patricia Dorval – Macbeth in Andre Barsacq’s Le Rideau rouge (1952): Mise en Abyme and Acoustic Porousness; Sarah Hatchuel, Nathalie Vienne-Guerrin – “Is this an umbrella which I see before me?”: Columbo goes to Scotland Yard; Jennifer Barnes – Art not without Ambition: Stardom, Selfhood and Laurence Olivier’s unmade Macbeth; José Ramón Diaz Fernandez – Macbeth on Screen: An Annotated Film-Bibliography.
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Holdings
Item type Current library Class number Status Date due Barcode Item reservations
Book-Circulating Book-Circulating Fischer Hall Library
Main shelves 		PR2823. A2S6 (Browse shelf(Opens below)) Available B000262
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Victoria Bladen, Sarah Hatchuel, Nathalie Vienne-Guerrin – Préface. Dominique Goy-Blanquet – Phantom of the Cinema: Macbeth's Ghosts in the Flesh; Warren Chernaik – "Instruments of Darkness": Witches and the Supernatural in Four Versions of Macbeth; Pierre Kapitaniak – Witches and Ghosts in Modern Times Lost? How to Negotiate the Supernatural in Modern Adaptations of Macbeth; Susan Gushee O'Malley – Macbeth's Witches: Nurses, Waitresses, Feminists, Punk Gore Groupies; Victoria Bladen – Weird Space in Macbeth on Screen; Pascale Drouet – "Look how our partner's rapt": Externalizing Rapture in Orson Welles's Macbeth (1948-1950); Charles R. Forker – Symbolic and Thematic Impoverishment in Roman Polanski's Macbeth; Boika Sokolova – "Horrible imaginings": Rupert Goold’s Film Adaptation, a Macbeth for the Twenty-First Century; Adele Seeff – Shakespeare in Mzansi; Sarah Hatchuel, Nathalie Vienne-Guerrin – Claude Barma’s Macbeth (1959): Shakespeare and the hybridity of the French "dramatique"; Anne-Marie Costantini-Cornede – ". . . [M]ethought/ The wood began to move" (5.5.32-33) or Whatever Happened to Witches and Woods in Akira Kurosawa’s Throne of Blood (1957), Alexander Abela’s Makibefo (1999) and Mark Brozel’s Macbeth (2005): Film style or the Poetics of Displacement; William C. Carroll – Fleance in the Final Scene of Macbeth: The Return of the Repressed; Andrew Fleck – “A Barren Sceptre" (3.1.63): Generation, Generations, and Destiny in Maqbool and Global Adaptations of Macbeth; Gayle Allan – Home Sweet Home: Visual Representation of Domestic Spaces in Macbeth; Courtney Lehmann – Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Jennifer Drouin – “Get a Look at Your Wife’s Beautiful Cones”: Lady Macbeth’s Stone Butch Blues and Rural Second-Wave Feminism in Scotland, P.A. Elinor Parsons – “Struts and frets”: Physical Eloquence in Vladimir Vasiliev’s Macbeth; Patricia Dorval – Macbeth in Andre Barsacq’s Le Rideau rouge (1952): Mise en Abyme and Acoustic Porousness; Sarah Hatchuel, Nathalie Vienne-Guerrin – “Is this an umbrella which I see before me?”: Columbo goes to Scotland Yard; Jennifer Barnes – Art not without Ambition: Stardom, Selfhood and Laurence Olivier’s unmade Macbeth; José Ramón Diaz Fernandez – Macbeth on Screen: An Annotated Film-Bibliography.