MARC details
| 000 -LEADER |
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| fixed length control field |
05192cam a2200361 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
15407663 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20171107191222.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
080811s2009 nyu bk 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2008035590 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780195365931 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0195365933 (pbk.) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)ocn236333545 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)236333545 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| Modifying agency |
BTCTA |
| -- |
BAKER |
| -- |
YDXCP |
| -- |
C#P |
| -- |
BWX |
| -- |
UPP |
| -- |
DLC |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3477 |
| Item number |
.B68 2009 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
781.6409 |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Brackett, David. |
| 245 14 - TITLE STATEMENT |
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| Title |
The pop, rock, and soul reader : |
| Remainder of title |
histories and debates / |
| Statement of responsibility, etc |
David Brackett. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
New York : |
| Name of publisher, distributor, etc |
Oxford University Press, |
| Date of publication, distribution, etc |
2009. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xvii, 606 p. ; |
| Dimensions |
24 cm. |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Irving Berlin in Tin Pan Alley -- Technology, the dawn of modern popular music, and the "king of Jazz" -- Big band swing music : race and power in the music business -- Solo pop singers and new forms of fandom -- Hillbilly and race music -- Blues people and the classic blues -- The empress of the blues -- At the crossroads with Robert Johnson, as told by Johnny Shines -- From race music to Rhythm and blues : T-Bone Walker -- Jumpin' the blues with Louis Jordan -- On the bandstand with Johnny Otis and Wynonie Harris -- The producers answer back : the emergence of the "indie" record company -- Country music as folk music, country music as novelty -- Country music approaches the mainstream -- Hank Williams on songwriting -- Rhythm and blues in the early 1950s : B.B. King -- "The house that Ruth Brown built" -- Ray Charles, or when Saturday night mixed it up with Sunday morning -- Jerry Wexler : a life in R&B -- The growing threat of rhythm and blues -- Langston Hughes responds -- from Rhythm and blues to rock 'n' roll : the songs of Chuck Berry -- Little Richard : boldly going where no man had gone before -- Elvis Presley, Sam Phillips, and Rockabilly -- Rock 'n' roll meets the popular press -- The Chicago defender defends rock 'n' roll -- The music industry fight against rock 'n' roll : Dick Clark's teen-pop empire and the payola scandal -- |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Brill building and the girl groups -- From surf to smile -- Urban folk revival -- Bringing it all back home : Dylan at Newport -- "Chaos is a friend of mine" -- From R&B to soul -- No town like Motown -- The Godfather of soul and the beginnings of funk -- "The blues changes from day to day" -- Aretha Franklin earns respect -- The Beatles, the "British invasion," and cultural respectability -- A hard day's night and Beatlemania -- England swings, and the Beatles evolve on Revolver and Sgt. Pepper -- The British art school blues -- The Stones versus the Beatles -- If you're goin' to San Francisco-- -- The kozmic blues of Janis Joplin -- Jimi Hendrix and the electronic guitar -- Rock meets the avant-garde : Frank Zappa -- Pop/bubblegum/Monkees -- The aesthetics of rock -- Festivals : the good, the bad, and the ugly -- Where did the sixties go? -- The sound of autobiography : singer-songwriters, Carole King -- Joni Mitchell journeys within -- Sly Stone : "the myth of Staggerlee" -- Not-so-"little" Stevie Wonder -- Parliament drops the bomb -- Heavy metal meets the counterculture -- Led Zeppelin speaks! -- "I have no message whatsovever" -- Rock me, Amadeus -- Jazz fusion -- Get on up disco -- Punk : the sound of criticism? -- Punk crosses the Atlantic -- Punk to new wave? -- |
| 505 2# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
UK new wave -- A "second British invasion," MTV, and other postmodernist conundrums -- Thriller begets the "King of Pop" -- Madonna and the performance of identity -- Bruce Springsteen : reborn in the USA -- R&B in the 1980s : to cross over or not to cross over? -- Heavy metal thunders on! -- Metal in the late eighties : glam or thrash? -- Postpunk goes Indie -- Indie brings the noise -- Hip-hop, don't stop -- "The music is a mirror" -- Where rap and heavy metal converge -- Hip-hop into the 1990s : gangstas, fly girls, and the big bling-bling -- Nuthin' but a "G" thang -- Keeping it a little too real -- Sample-mania -- Women in rap -- The beat goes on -- From Indie to alternative to-- -- Riot girl -- Grunge turns to scrunge -- A "postalternative icon" -- "We are the world"? -- A Talking Head writes -- Genre or gender? The resurgence of the singer-songwriter -- Public policy and pop music history collide -- Electronica is in the house -- R&B divas go retro -- Fighting the power in a post-9/11 mediascape: the Dixie Chicks -- The end of history, the mass marketing of trivia, and a world of copies without originals. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references (p. 589-593), discographies, and index. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Popular music |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 856 41 - ELECTRONIC LOCATION AND ACCESS |
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| Materials specified |
Table of contents only |
| Uniform Resource Identifier |
<a href="http://www.loc.gov/catdir/toc/ecip0825/2008035590.html">http://www.loc.gov/catdir/toc/ecip0825/2008035590.html</a> |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
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| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-genmusic |
| 925 0# - |
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| -- |
acquire |
| -- |
2 shelf copies |
| -- |
policy default |
| 955 ## - COPY-LEVEL INFORMATION (RLIN) |
|---|
| -- |
vl31 2008-08-11 |
| -- |
vl31 2008-08-11 to Dewey |
| -- |
xj08 2009-01-05 Z-CipVer |
| -- |
xj08 2009-01-05 to BCCD |
| -- |
vk05 2009-07-29 to Music Division copy 2 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha issues (borrowed), all copies |
4 |