MARC details
| 000 -LEADER |
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| fixed length control field |
02188cam a22003255i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
22023425 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
InNd |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240620114415.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION |
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| fixed length control field |
m |o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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cr ||||||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
181013s2018 gw |||| o |||| 0|eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2019771111 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9783319952222 |
| 024 7# - OTHER STANDARD IDENTIFIER |
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| Standard number or code |
10.1007/978-3-319-95222-2 |
| Source of number or code |
doi |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(DE-He213)978-3-319-95222-2 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
pn |
| -- |
rda |
| Transcribing agency |
DLC |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Taylor, Millie, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
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| Title |
Theatre Music and Sound at the RSC : |
| Remainder of title |
Macbeth to Matilda / |
| Statement of responsibility, etc |
by Millie Taylor. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
1st ed. 2018. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
244 pages |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Palgrave Studies in British Musical Theatre |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
1. Musical Collaborations at the RSC -- 2. Collaborative Composition at the RSC -- 3. Electronics, Sound and Fury at the RSC -- 4. Theatre Music at the RSC -- 5. From Macbeth to Matilda at the RSC. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
Shakespeare is a cultural icon whose works are steeped in music, but the revered Royal Shakespeare Company is located in Stratford-upon-Avon, far from the hustle and bustle of London's theatre scene. Yet it is here, in the Midlands, that an exciting laboratory has been developing the practice of theatre music composition and sound design since 1961. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Music. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Performing arts. |
| 650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Performing Arts. |
| 650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Music. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
Palgrave Studies in British Musical Theatre |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Book-Circulating |