MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03066cam a2200373 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
NDU01-006400482 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
InNd |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20240201192402.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
230127s2023 enka b 001 0 eng c |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781913107390 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1913107396 |
| Qualifying information |
(hardback) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1371246138 |
| Canceled/invalid control number |
(OCoLC)1346942842 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
ERASA |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
ERASA |
| Modifying agency |
BDX |
| -- |
AVA |
| -- |
YDX |
| -- |
TOH |
| -- |
OCLCF |
| -- |
YUS |
| -- |
S2H |
| -- |
NOC |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
a-ii--- |
| -- |
e-uk--- |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
INDU |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
N 8214.5. |
| Item number |
I5 Y685 2023 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
900 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Young, Tom, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Unmaking the East India Company : |
| Remainder of title |
British art and political reform in colonial India, c. 1813-1858 / |
| Statement of responsibility, etc |
Tom Young. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
vii, 246 pages : |
| Other physical details |
color illustrations ; |
| Dimensions |
28 cm |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 219-238) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
A corporate history of British amateurism: Lithographic scrapbooking, Anglicist reform and opium's spectre, c.1813-1833 -- The many faces of modernity: Lithography, race and colonial revenue reform, c.1813-1833 -- Colesworthy Grant's portraits of colonial society: Periodical illustration and liberal reform, c.1833-1857 -- Company twilight and the Raj foreshadowed: Frontier art, the Victorian monarchy and the rejection of bureaucratic reform, c.1831-1858 -- Conclusion: A coda from Tapna: Opium, reform, insurgency. |
| 520 8# - SUMMARY, ETC. |
|---|
| Summary, etc |
This pioneering book explores how art shaped the nationalisation of the East India Company between the loss of its primary monopoly in 1813 and its ultimate liquidation in 1858. Challenging the idea that parliament drove political reform, it argues instead that the Company?s political legitimacy was destabilised by novel modes of artistic production in colonial India. New artistic forms and practices, the result of new technologies like lithography and steam navigation, middle-class print formats like the periodical, the scrapbook and the literary annual, as well as the prevalence of amateur sketching among Company employees' reconfigured the colonial regime's racial boundaries and techniques of governance. They flourished within transimperial networks, integrating middle-class societies with new political convictions and moral disciplines, and thereby eroding the aristocratic corporate cultures that had previously structured colonial authority in India. Unmaking the East India Company' contributes to a reassessment of British art as a global, corporate and intrinsically imperial phenomenon, highlighting the role of overlooked media, artistic styles and print formats in crafting those distinctions of power and identity that defined 'Britishness' across the world. |
| 610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
East India Company |
| Form subdivision |
In art. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, British |
| Chronological subdivision |
18th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, British |
| Chronological subdivision |
19th century. |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
India |
| Form subdivision |
In art. |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
India |
| General subdivision |
History |
| Chronological subdivision |
British occupation, 1765-1947. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Book-Circulating |