Notre Dame London: Fischer Hall Library

Elegy landscapes : (Record no. 13473)

MARC details
000 -LEADER
fixed length control field 02080cam a22003138i 4500
001 - CONTROL NUMBER
control field 20487766
003 - CONTROL NUMBER IDENTIFIER
control field InNd
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20180724073708.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180411s2018 nyu b 001 0 eng c
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2018012201
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780393651508
Qualifying information (hardcover)
040 ## - CATALOGING SOURCE
Original cataloging agency LBSOR/DLC
Language of cataloging eng
Description conventions rda
Transcribing agency LBSOR
042 ## - AUTHENTICATION CODE
Authentication code pcc
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND497.
Item number C7P59 2018
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 759.2
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Plumly, Stanley,
Relator term author.
245 10 - TITLE STATEMENT
Title Elegy landscapes :
Remainder of title Constable and Turner and the intimate sublime /
Statement of responsibility, etc Stanley Plumly.
250 ## - EDITION STATEMENT
Edition statement First edition.
263 ## - PROJECTED PUBLICATION DATE
Projected publication date 1808
300 ## - PHYSICAL DESCRIPTION
Extent pages cm
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.
520 ## - SUMMARY, ETC.
Summary, etc "Following his 'obsessive, intricate, intimate, and brilliant' (Washington Post) work in Posthumous Keats and The Immortal Evening, renowned poet Stanley Plumly further explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. How is it that this disparate pair will come to be regarded as Britain's supreme landscape painters, precursors to Impressionism and Modernism? How did each painter's life influence his work? Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these talented painters portrayed the terrible beauty of the natural world from an intimate, close-up perspective. Plumly studies the paintings against the pull of the artists' lives, probing how each finds the sublime in different, though connected, worlds. At once a meditation on the difficulties in achieving truly immortal works of art and an exploration of the relationship between artist and artwork, Elegy Landscapes takes a wide-angle look at the philosophy of the sublime"--
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Constable, John,
Dates associated with a name 1776-1837
General subdivision Criticism and interpretation.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Turner, J. M. W.
Fuller form of name (Joseph Mallord William),
Dates associated with a name 1775-1851
General subdivision Criticism and interpretation.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Landscape painting, English
Chronological subdivision 19th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Sublime, The, in art.
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN)
a 7
b cbc
c orignew
d 1
e ecip
f 20
g y-gencatlg
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Book-Circulating
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type Public note
    Library of Congress Classification     Fischer Hall Library Fischer Hall Library Main shelves 2018-07-24   ND497. C7P59 2018 B013717 2018-07-24 2018-07-24 Book-Circulating Donated by Daniel Johnson, Beth Lau, and Greg Kucich, co-organizers of the Keats’s Reading / Reading Keats conference, Summer 2018