MARC details
000 -LEADER |
fixed length control field |
02080cam a22003138i 4500 |
001 - CONTROL NUMBER |
control field |
20487766 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
InNd |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20180724073708.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
180411s2018 nyu b 001 0 eng c |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2018012201 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780393651508 |
Qualifying information |
(hardcover) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
LBSOR/DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
LBSOR |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ND497. |
Item number |
C7P59 2018 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
759.2 |
Edition number |
23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Plumly, Stanley, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Elegy landscapes : |
Remainder of title |
Constable and Turner and the intimate sublime / |
Statement of responsibility, etc |
Stanley Plumly. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
1808 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
pages cm |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"Following his 'obsessive, intricate, intimate, and brilliant' (Washington Post) work in Posthumous Keats and The Immortal Evening, renowned poet Stanley Plumly further explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. How is it that this disparate pair will come to be regarded as Britain's supreme landscape painters, precursors to Impressionism and Modernism? How did each painter's life influence his work? Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these talented painters portrayed the terrible beauty of the natural world from an intimate, close-up perspective. Plumly studies the paintings against the pull of the artists' lives, probing how each finds the sublime in different, though connected, worlds. At once a meditation on the difficulties in achieving truly immortal works of art and an exploration of the relationship between artist and artwork, Elegy Landscapes takes a wide-angle look at the philosophy of the sublime"-- |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Constable, John, |
Dates associated with a name |
1776-1837 |
General subdivision |
Criticism and interpretation. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Turner, J. M. W. |
Fuller form of name |
(Joseph Mallord William), |
Dates associated with a name |
1775-1851 |
General subdivision |
Criticism and interpretation. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Landscape painting, English |
Chronological subdivision |
19th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Sublime, The, in art. |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
orignew |
d |
1 |
e |
ecip |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |
Koha item type |
Book-Circulating |