MARC details
| 000 -LEADER |
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| fixed length control field |
03625cam a2200361Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
NDU01-004422047 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
InNd |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20191106111242.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
160115s2016 enka bc 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780712356329 |
| Qualifying information |
(hbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0712356320 |
| Qualifying information |
(hbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780712356312 |
| Qualifying information |
(pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0712356312 |
| Qualifying information |
(pbk.) |
| 024 3# - OTHER STANDARD IDENTIFIER |
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| Standard number or code |
9780712356312 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)948443140 |
| Canceled/invalid control number |
(OCoLC)922561949 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
CDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
CDX |
| Modifying agency |
OCLCO |
| -- |
TXA |
| -- |
YDXCP |
| -- |
BDX |
| -- |
BTCTA |
| -- |
NLE |
| -- |
ZWZ |
| -- |
DEBSZ |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
INDU |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PR2933 .B75 |
| Item number |
S53 2016 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
822.3/3 |
| Edition number |
23 |
| 245 00 - TITLE STATEMENT |
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| Title |
Shakespeare in ten acts / |
| Statement of responsibility, etc |
edited by Gordon McMullan and Zoë Wilcox. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
224 pages : |
| Other physical details |
color illustrations ; |
| Dimensions |
28 cm |
| 500 ## - GENERAL NOTE |
|---|
| General note |
"On the occasion of the British Library exhibition 'Shakespeare in Ten Acts' 15 April - 6 September 2016. Curated by Zoë Wilcox, Tanya Kirk and Greg Buzwell"--Title page verso. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes blbliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Ch. 1 'A hit, a very palpable hit': Hamlet at the Globe, c. 1600 / 'Into something rich and strange': The Tempest at the Blackfriars Playhouse, c. 1610-11 / 'The wide world': Shakespeare across the Globe / 'Do you not know I am a woman?': The Legacy of the First Female Desdemona, 1660 / 'Tis mad idolatry': Vortigern, the Ireland Forgeries and the Birth of Bardolatry / 'Haply, for I am black': The Legacy of Ira Aldridge / 'He is return'd': The Revision and Restoration of King Lear / 'The revolution of the times': Peter Brook's A Midsummer Night's Dream, 1970 / 'The wheel is come full circle': Twelfth Night at Middle Temple Hall and Shakespeare's Globe, 2002 / 'Look here, upon this picture': Theatrofilm, the Wooster Group Hamlet and the Film Industry / |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
Four hundred years after Shakespeare's death, it is difficult to imagine a time when he was not considered a genius. But those 400 years have seen his plays banished and bowdlerized, faked and forged, traded and translated, re-mixed and re-cast. Shakespeare's story is not one of a steady rise to fame; it is a tale of set-backs and sea-changes that have made him the cultural icon he is today. This revealing new book accompanies an innovative exhibition at the British Library that will take readers on a journey through more than 400 years of performance. It will focus on ten moments in history that have changed the way we see Shakespeare, from the very first production of Hamlet to a digital-age deconstruction. Each performance holds up a mirror to the era in which it was performed. The first stage appearance by a woman in 1660 and a black actor playing Othello in 1825 were landmarks for society as well as for Shakespeare's reputation. The book will also explore productions as diverse as Peter Brook's legendary A Midsummer Night's Dream, Mark Rylance's 'Original Practices' Twelfth Night, and a Shakespeare forgery staged at Drury Lane in 1796, among many others. Over 100 illustrations include the only surviving playscript in Shakespeare's hand, an authentic Shakespeare signature, and rare printed editions including the First Folio. These - and other treasures from the British Library's manuscript and rare book collections - feature alongside film stills, costumes, paintings and production photographs. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Shakespeare, William, |
| Dates associated with a name |
1564-1616 |
| General subdivision |
Stage history |
| Form subdivision |
Exhibitions. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
McMullan, Gordon, |
| Dates associated with a name |
1962- |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Wilcox, Zoë |
| Titles and other words associated with a name |
(Curator), |
| Relator term |
editor. |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
British Library, |
| Relator term |
issuing body. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Book-Circulating |
| Koha issues (borrowed), all copies |
1 |