000 | 02008nam a2200397 a 4500 | ||
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001 | 016633626 | ||
003 | UkOxU | ||
005 | 20150319121555.0 | ||
008 | 080319s2007 enka b 001 0 eng d | ||
010 | _a2008371065 | ||
015 |
_aGBA874636 _2bnb |
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016 | 7 |
_a014484120 _2Uk |
|
020 | _a9781846310607 | ||
020 | _a1846310601 (pbk.) | ||
035 |
_a(OCoLC)154689951 _z(OCoLC)154689950 |
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035 | _a(OCoLC)ocn154689951 | ||
040 |
_aBTCTA _cBTCTA _dDLC _dBAKER _dYDXCP _dECL _dUKM |
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042 | _alccopycat | ||
043 | _ae-uk-en | ||
050 | 0 | 0 |
_aPR5778. _bF55W55 2007 |
082 | 0 | 4 |
_a791.436 _222 |
100 | 1 |
_aWilliams, Keith, _d1958- |
|
245 | 1 | 0 |
_aH.G. Wells, modernity and the movies / _cKeith Williams. |
260 |
_aLiverpool : _bLiverpool University Press, _c2007. |
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300 |
_a279 p., [8] p. of plates : _bill. ; _c24 cm. |
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504 | _aIncludes bibliography: (p. [247]-268) and index. | ||
505 | _aChapter 1 Optical Speculations in the Early Writings: The Time Machine and the Short Stories Chapter 2 The Dis/Appearance of the Subject: Wells, Whale and The Invisible Man Chapter 3 ‘Seeing the Future’: Visual Technology and Urban Dystopia in When the Sleeper Wakes and Fritz Lang’s Metropolis Chapter 4 The ‘Broadbrow’ and the Big Screen: Wells’s Film Writing Things to Come and The Man Who Could Work Miracles Chapter 5 Afterimages: Adaptations and Influences | ||
600 | 1 | 0 |
_aWells, H. G. _q(Herbert George), _d1866-1946 _xFilm adaptations. |
650 | 0 |
_aScience fiction, English _xFilm adaptations. |
|
650 | 0 |
_aScience fiction films _xHistory and criticism. |
|
830 | 0 |
_aLiverpool science fiction texts and studies ; _v35 |
|
856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0827/2008371065-b.html |
856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0827/2008371065-d.html |
856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy0827/2008371065-t.html |
942 |
_2lcc _cBKC _02 |
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999 |
_c9501 _d9501 |