000 02266cam a2200349 a 4500
001 14613694
003 OSt
005 20231116153611.0
008 061027s2007 ilua b 001 0 eng
010 _a 2006036167
020 _a9780226044798
020 _a0226044785 (alk. paper)
035 _a(OCoLC)ocm74941701
035 _a(OCoLC)74941701
040 _aDLC
_cDLC
_dYDX
_dBAKER
_dBTCTA
_dYDXCP
_dIXA
_dDLC
050 0 0 _aPR3091.
_bB485 2007
082 0 0 _a792.9/5
_222
100 1 _aBevington, David M.
245 1 0 _aThis wide and universal theater :
_bShakespeare in performance, then and now /
_cDavid Bevington.
246 _aThis wide and universal theatre :
_bShakespeare in performance, then and now /
260 _aChicago :
_bUniversity of Chicago Press,
_c2007.
300 _axi, 242 p. :
_bill. ;
_c24 cm.
500 _aThis study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
504 _aIncludes bibliographical references (p. 225-230) and index.
505 _a1 Actions That a Man Might Play: An Introduction 2 There Lies the Scene: Actors and Theaters in Late Elizabethan England 3 A Local Habitation and a Name: Stage Business in the Comedies 4 Thus Play I in One Person Many People: Performing the Histories 5 Like a Strutting Player: Staging Moral Ambiguity in Measure for Measure and Troilus and Cressida 6 The Motive and the Cue for Passion: Romeo and Juliet, Hamlet, and Othello in Performance 7 A Poor Player That Struts and Frets His Hour upon the Stage: Role-playing in King Lear, Macbeth, and Antony and Cleopatra 8 Insubstantial Pageant: Shakespeare’s Farewell to the Stage 9 This Falls Out Better Than I Could Devise: An Afterword
600 1 0 _aShakespeare, William,
_d1564-1616
_xStage history.
600 1 0 _aShakespeare, William,
_d1564-1616
_xDramatic production
_xMethodology.
_92279
856 4 1 _3Table of contents only
_uhttp://www.loc.gov/catdir/enhancements/fy0703/2006036167-t.html
856 4 2 _3Contributor biographical information
_uhttp://www.loc.gov/catdir/enhancements/fy0707/2006036167-b.html
856 4 2 _3Publisher description
_uhttp://www.loc.gov/catdir/enhancements/fy0707/2006036167-d.html
942 _2lcc
_cBKC
_03
999 _c8923
_d8923