000 | 01604pam a22003251i 4500 | ||
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001 | 991014682679707026 | ||
003 | InNd | ||
005 | 20240620125616.0 | ||
006 | m || d | | ||
007 | cr ||||||||||| | ||
008 | 210615s2021 enka o 000|0|eng|d | ||
015 |
_aGBC1A7899 _2bnb |
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020 |
_a9783030752095 (PDF ebook) : _c£89.50 |
||
020 |
_z9783030752088 (hbk.) : _c£89.99 |
||
035 | _a022616075-44oxf_inst | ||
037 |
_a9783030752095 _bSpringer Nature |
||
042 | _aukblsr | ||
082 | 0 | 4 |
_a792.60942109041 _223 |
100 | 1 |
_aLinton, David, _d1967- _eauthor. |
|
245 | 1 | 0 |
_aNation and race in West End Revue : _b1910-1930 / _cDavid Linton. |
300 |
_a202p. _billustrations (black and white). |
||
490 | 0 | _aPalgrave studies in British musical theatre | |
500 | _aAcademic | ||
505 | 0 | _aChapter 1: Reading London West End Revue.- Chapter 2: Revue in the Modern World: Possibilities and Perils -West End Identities.- Chapter 3: New Insecurities, New Form, New Identity- National Identity and Raciologies in Eightpence a Mile (1913).- Chapter 4: Degeneration/Regeneration – The Remaking of Nation in Wartime West End Spectacular Revue.- Chapter 5: Blackbirds in London: Black Internationalism and the Black Imaginary.- Chapter 6: Class Distinction and National Identity in 1920s West End Intimate Revue. | |
650 | 0 |
_aMusical theater _zEngland _zLondon _xHistory _y20th century. |
|
651 | 0 |
_aLondon (England) _xSocial life and customs _y20th century. |
|
651 | 0 |
_aGreat Britain _xSocial conditions _y20th century. |
|
776 | 0 | 8 |
_iPrint version : _z9783030752088 |
942 |
_2lcc _cBKC |
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999 |
_c16426 _d16418 |