000			03498cam a2200313 i 4500
001			990226193580107026
003			InNd
005			20240612140351.0
008			201015s2021 nyu b 001 0 eng
010			_a2020043944
020			_a9780367715465 _q(hardback)
020			_z9781003152538 _q(ebook)
042			_apcc
050	0	0	_aPR3091 _b.S675 2021
082	0	0	_a822.3/3 _223
245	0	0	_aShakespeare's audiences / _cedited by Matteo Pangallo and Peter Kirwan.
300			_axiii, 234 pages ; _c24 cm
490	1		_aRoutledge studies in Shakespeare
504			_aIncludes bibliographical references and index.
505	0		_aRespiratory sympathy and pneumatic community in Shakespeare / Stephanie Shirilan -- Recovering the humoral body through original practice performance / Joe Falocco -- Haptic experience and fluid boundaries : Macbeth and Czech nationalism at Český Krumlov's Revolving Theater / Jennifer A. Low -- The most lamentable Romaine Tragedie of Titus Andronicus and audiences from the Inns of Court / Romola Nuttall -- 'Cleave the general ear' : Shakespeare and the cultural bias of early American radio / Miles Drawdy -- Indian Shakespeare cinema and the active audience / Koel Chatterjee -- Gender, aura, and the close-up : broadcasting Shakespeare for female audiences / Pascale Aebischer -- Shakespeare's riotous audiences : Macbeth at Astor Place, 1849 / Edel Lamb -- 'How novelty may move' : play and the boundaries of the play in the New York Shakespeare Festival's Mobile Theatre / Adam Sheaffer -- Imagined theater : why fan audiences matter / Louise Geddes -- 'A vulgar comment will be made of it' : YouTube and Robert Weimann's Platea / Valerie M. Fazel -- Shakespeare's digital school audience : agency and control in the reception of an RSC Schools' Broadcast / Rachael Nicholas -- For everybody : casting, race, and audience engagement in the Public Theater's Mobile Unit.
520			_a"Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare's audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare's plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The essays in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare's audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare's audiences as well as a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance"--
600	1	0	_aShakespeare, William, _d1564-1616 _xDramatic production. _91194
600	1	0	_aShakespeare, William, _d1564-1616 _xStage history.
650		0	_aTheater audiences _xPsychology. _91920
700	1		_aPangallo, Matteo A., _eeditor.
700	1		_aKirwan, Peter, _eeditor.
830		0	_aRoutledge studies in Shakespeare
942			_2lcc _cBKC
999			_c16404 _d16396