000			03994aam a22005651i 4500
001			019164448
003			Uk
005			20191009111644.0
006			m || d |
007			cr |||||||||||
008			181130s2019 enk ob 000 0 eng d
015			_aGBB8N7059 _2bnb
020			_a9781350068964 _q(electronic bk.)
020			_a1350068969 _q(electronic bk.)
020			_z9781350074880
020			_z1350074888
020			_z9781350068940
020			_z1350068942
037			_a9781350068964 _bcodeMantra
040			_aN$T _beng _cN$T _dUk _erda _epn
042			_aukblsr
050		4	_aPN3433.6 _b.O53 2019eb
072		7	_aBIO _x007000 _2bisacsh
082	0	4	_a809.3/8762 _223
245	0	0	_aOnce and future antiquities in science fiction and fantasy / _cedited by Brett M. Rogers and Benjamin Eldon Stevens.
264		1	_aLondon : _bBloomsbury Academic, _c2019.
300			_a1 online resource.
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aBloomsbury studies in classical reception
504			_aIncludes bibliographical references.
505	0		_aPrefaceList of ContributorsList of IllustrationsIntroduction: Displacing Antiquity in Science Fiction and Fantasy (Brett M. Rogers, University of Puget Sound, USA; Benjamin Eldon Stevens, Trinity University, USA)Displacing Points of Origin1. More 'T,' Vicar? Revisiting Models and Methodologies for Classical Receptions in Science Fiction (Tony Keen, Open University, UK)2. Saxa loquuntur?: Archaeological Fantasies in Wilhelm Jensen's Gradiva (Jesse Weiner, Hamilton College, USA)3. Time Travel and Self-Reflexivity in Receptions of Homer's Iliad (Claire Kenward, Oxford University, APGRD, UK)4. Monuments and Tradition in Jack McDevitt's The Engines of God (Laura Zientek, University of Washington, USA) Displaced in Space5. Lyra's Odyssey in Philip Pullman's His Dark Materials (Ortwin Knorr, Willamette University, USA)6. Displacing Nostos and the Ancient Greek Hero in Hayao Miyazaki's Spirited Away (Suzanne Lye, Dartmouth College, USA)7. 'The nearest technically impossible thing': Classical Antiquity in the Novels of Helen Oyeyemi (Benjamin Eldon Stevens, Trinity University, USA) Displaced in Time8. Dynamic Tensions: The Figure(s) of Atlas in The Rocky Horror Picture Show (Stephen B. Moses and Brett M. Rogers, University of Puget Sound, USA)9. Drinking Blood and Talking Ghosts in Diana Wynne Jones's The Time of the Ghost (Frances Foster, Cambridge University, UK)10. Finding Cassandra in Science Fiction: The Seer of Agamemnon and the Time-Traveling Protector of Continuum (Jennifer Ranck, Independent Scholar) Displacing Genre11. Classical Reception and the Half-Elf Cleric (C. W. Marshall, University of British Columbia, Canada)12. The Gods Problem in Gene Wolfe's Soldier of the Mist (Vincent Tomasso, Trinity College, USA)13. The Divine Emperor in Virgil's Aeneid and the Warhammer 40K Universe (Alexander McAuley, University of British Columbia, Canada) Epilogue: Finding a Place in Displacement14. Just Your Average Tuesday-Morning Minotaur (Catherynne M. Valente)Works CitedIndex.
650		7	_aFantasy. _2bicssc
650		0	_aScience fiction _xClassical influences.
650		0	_aClassical literature _xInfluence.
650		7	_aClassical literature _xInfluence. _2fast _0(OCoLC)fst00863517
650		7	_aBIOGRAPHY & AUTOBIOGRAPHY / Literary _2bisacsh
650		7	_aLiterature: history & criticism. _2bicssc
650		7	_aClassical history / classical civilisation. _2bicssc
650		7	_aLiterary Collections _xAncient, Classical & Medieval. _2bisacsh
650		7	_aLiterary Criticism _xScience Fiction & Fantasy. _2bisacsh
650		7	_aHistory _xAncient _xGeneral. _2bisacsh
650		7	_aScience fiction. _2bicssc
655		4	_aElectronic books.
700	1		_aRogers, Brett M., _eeditor.
700	1		_aStevens, Benjamin Eldon, _eeditor.
830		0	_aBloomsbury studies in classical reception.
999			_c13988 _d13980