000			03014 am a2200205 4500
003			InNd
005			20150415092929.0
007			ta
008			140226t2013 xxu||||| |||| 00| 0 eng d
020			_a9791024000381
050			_aPR2823. _bA2S6
245			_aShakespeare on screen : Macbeth
260			_c2014 _aRouen _bPresses Universitaires de Rouen et du Havre
300			_a539p
440			_aShakespeare on Screen
505			_a Victoria Bladen, Sarah Hatchuel, Nathalie Vienne-Guerrin – Préface. Dominique Goy-Blanquet – Phantom of the Cinema: Macbeth's Ghosts in the Flesh; Warren Chernaik – "Instruments of Darkness": Witches and the Supernatural in Four Versions of Macbeth; Pierre Kapitaniak – Witches and Ghosts in Modern Times Lost? How to Negotiate the Supernatural in Modern Adaptations of Macbeth; Susan Gushee O'Malley – Macbeth's Witches: Nurses, Waitresses, Feminists, Punk Gore Groupies; Victoria Bladen – Weird Space in Macbeth on Screen; Pascale Drouet – "Look how our partner's rapt": Externalizing Rapture in Orson Welles's Macbeth (1948-1950); Charles R. Forker – Symbolic and Thematic Impoverishment in Roman Polanski's Macbeth; Boika Sokolova – "Horrible imaginings": Rupert Goold’s Film Adaptation, a Macbeth for the Twenty-First Century; Adele Seeff – Shakespeare in Mzansi; Sarah Hatchuel, Nathalie Vienne-Guerrin – Claude Barma’s Macbeth (1959): Shakespeare and the hybridity of the French "dramatique"; Anne-Marie Costantini-Cornede – ". . . [M]ethought/ The wood began to move" (5.5.32-33) or Whatever Happened to Witches and Woods in Akira Kurosawa’s Throne of Blood (1957), Alexander Abela’s Makibefo (1999) and Mark Brozel’s Macbeth (2005): Film style or the Poetics of Displacement; William C. Carroll – Fleance in the Final Scene of Macbeth: The Return of the Repressed; Andrew Fleck – “A Barren Sceptre" (3.1.63): Generation, Generations, and Destiny in Maqbool and Global Adaptations of Macbeth; Gayle Allan – Home Sweet Home: Visual Representation of Domestic Spaces in Macbeth; Courtney Lehmann – Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Jennifer Drouin – “Get a Look at Your Wife’s Beautiful Cones”: Lady Macbeth’s Stone Butch Blues and Rural Second-Wave Feminism in Scotland, P.A. Elinor Parsons – “Struts and frets”: Physical Eloquence in Vladimir Vasiliev’s Macbeth; Patricia Dorval – Macbeth in Andre Barsacq’s Le Rideau rouge (1952): Mise en Abyme and Acoustic Porousness; Sarah Hatchuel, Nathalie Vienne-Guerrin – “Is this an umbrella which I see before me?”: Columbo goes to Scotland Yard; Jennifer Barnes – Art not without Ambition: Stardom, Selfhood and Laurence Olivier’s unmade Macbeth; José Ramón Diaz Fernandez – Macbeth on Screen: An Annotated Film-Bibliography.
600			_aShakespeare, William, _d1564-1616 _xFilm adaptations.
600			_aShakespeare, William _d1564-1616 _tMacbeth _xFilm adaptations.
942			_2lcc _cBKC _01
999			_c10565 _d10565